About What a Lass Wants. From Rowan Keats–author of To Kiss a Kilted Warrior, When a Laird Takes a Lady, and Taming a Wild Scot–comes the newest entry in the Claimed by the Highlander novels In the Highlands of Scotland, danger and desire can be found anywhere—but finding them may lead to something much more perilous and passionate than anyone can handle. John Keats was born in London on 31 October 1795, the eldest of Thomas and Frances Jennings Keats’s four children. Although he died at the age of twenty-five, Keats had perhaps the most remarkable career of any English poet. He published only fifty-four poems, in three slim volumes and a few magazines. But over his short development he took on the challenges of a wide range of poetic forms.
About The Complete Poems of John Keats
‘I think I shall be among the English Poets after my death,’ John Keats soberly prophesied in 1818 as he started writing the blankverse epic Hyperion. Today he endures as the archetypal Romantic genius who explored the limits of the imagination and celebrated the pleasures of the senses but suffered a tragic early death. Edmund Wilson counted him as ‘one of the half dozen greatest English writers,’ and T. S. Eliot has paid tribute to the Shakespearean quality of Keats’s greatness. Indeed, his work has survived better than that of any of his contemporaries the devaluation of Romantic poetry that began early in this century. This Modern Library edition contains all of Keats’s magnificent verse: ‘Lamia,’ ‘Isabella,’ and ‘The Eve of St. Agnes’; his sonnets and odes; the allegorical romance Endymion; and the five-act poetic tragedy Otho the Great. Presented as well are the famous posthumous and fugitive poems, including the fragmentary ‘The Eve of Saint Mark’ and the great ‘La Belle Dame sans Merci,’ perhaps the most distinguished literary ballad in the language. ‘No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perception of loveliness,’ said Matthew Arnold. ‘In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare.’